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You can step write anything up to 64 events per sequence, or, if you prefer, you can record them by playing the velocity and pressure sensitive performance pads. The work flow of the SparkLE is both gratifying and fast. It’s also in this section that you can string your patterns into songs of up to 64 patterns each and edit the program preferences. The upper section meanwhile shows a representation of the sequences that have been programmed and it’s possible to edit these sequences on the computer if you do so wish. Not being able to access the song toggle isn’t really a huge loss as it can be one of those controls that gets easily knocked by accident, but it would have been useful to have had access to swing on the hardware controller.
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The middle screen is a full representation of the hardware controller except for the swing function and song toggle which unfortunately can only be accessed from the software. Each pad is assigned to a channel in the mixer section which also features simple FX such as compression and EQ, as well as two auxiliary sends that can be automated, allowing you to get fairly involved in mixing your creations.
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It’s not just drum sounds either it’s also possible to play and program tuned instruments in the SparkLE, where you can also find a series of synth libraries. You are required to pick up your mouse to switch to the lower screen set which allows you to browse the three types of sounds found in the library TAE (True Analogue Emulation), which includes plenty of classic analogue drum machines, Digital Sampling, which features multi-layered sounds and allows you to import your own audio for use, and finally Physical Modelling, which allows you to take complete control over more organic sounds.
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Navigating the software itself is simple, although not everything can be controlled from the hardware.
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“The fun factor involved with using this hybrid drum machine is high, and its compact, tough and portable chassis lends itself to being taken out on the road.” This comes as no surprise though as the software has a lot more features than first meets the eye. Unfortunately you cannot completely ignore your monitor, for example, when you are browsing a new project, kit or instrument, the information is only displayed in the virtual display on the software version. Visual feedback from the unit comes from the backlit buttons that turn blue when they are in operation, and as the hardware is integrated tightly with its software, whatever happens on the hardware is also shown on the computer screen.
#Arturia spark le manual how to
In fact, anyone used to programming one of Roland’s old TR-808 machines, or one of Akai’s MPCs will be able to pretty much dive straight into a production session a very good thing considering the manual only covers the software installation and the more basic functions of the unit, along with instructions on how to open Spark in your DAW of choice. This time the step sequence program buttons are located above the performance pads on the lower half of the unit, making it look a lot more like the classic beat boxes of yesteryear this new layout makes much more sense as it lends itself to a more intuitive approach to beat making. In a lot of ways the SparkLE is a more efficient and familiar design than its slightly awkward and cumbersome looking brother. The main muscle comes from the Spark drum machine software, which can act as a stand-alone program or be wired into DAWs such as Logic Studio, Pro-Tools or Ableton Live.
The redesigned face has done away with a lot of dedicated knobs in favour of a more efficient layout, though there are still eight pads with the same loop functions, XY pad, global and instrument FX, volume and tempo controls, as well as the large push encoder for browsing, and the all-important step sequence buttons, only this time there are only three assignable knobs. In this light edition of their flagship hybrid, Arturia have slimmed the unit’s profile down by doing away with the MIDI I/O ports and using a single USB connection to supply bus power. Despite the already competitive price point of the original unit, Arturia have now released a stripped down version of the Spark, named, appropriately enough, the SparkLE. Released in 2011, Arturia’s Spark drum machine took Arturia’s longstanding experience as a soft synth developer and combined it with a hardware controller, giving all the tactile control of a traditional beat box but with the added power and flexibility delivered through your computer. With hybrid software/hardware beat production solutions riding high in popularity, Arturia present their recently streamlined package.